It seems like it shouldn't be that hard, but getting the color you see on you computer screen to resemble that which you see with your naked eye is a perplexing problem. Now try to match the colors on your display to that in your printed output, and you'll see that the issue is extraordinarily complex. That's where color management comes in.

Anyone who deals with color and images on a daily basis -- indeed, any creative professional -- benefits from understanding the concepts of color management. While the tools and techniques may seem baffling at first, today's color-management technologies greatly simplify the process.

Gamma Curve and Dot Gain Curve

This chapter from "Real World Color Management," co-written by creativepro.com contributing editor Bruce Fraser, lays the foundation on which to build you own color-managed workflow. You'll learn in-depth the differences between how color appears on monitors and in print and find out why you need 256 levels of color. Even if you don't plan to start using a spectrophotometer tomorrow, Photoshop users will pick up valuable tips.

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