Scanning Around with Gene: The Best Type Book with No Typesetting

The 1927 edition of Studio Handbook by Samuel Welo is 233 pages of beautiful type and timeless design advice. Only this book comes with a twist – every page was hand-lettered by Welo.
Written by Gene Gable on August 21, 2008
Categories: Fonts, Type Design, Typography

I rarely feature any single work here at Scanning Around with Gene for fear it could easily turn into a weekly book review. But I recently unearthed a 1927 edition of Studio Handbook Letter & Design for Artists and Advertisers by Samuel Welo, and I simply had to share it with you.

On its own, this 5-inch x 8-inch, 232-page handbook would be a terrific resource for designers wanting a basic education in letter design and advertising layout techniques. But the book goes well beyond that because it is, from cover to cover, entirely hand-lettered by the author. There is not a single use of machine or even hand-set type, rules, or photographs. Every page number, line of text, ad layout, border, rule, and dingbat is hand-drawn. It is a wonderful homage to the craft of hand lettering, and when you browse through the hundreds of pages, you can’t help but wonder how long it took him.

There's not much information on Welo available, though you can purchase several contemporary font designs based on his hand lettering, and at one point he authored a book of Art Deco designs for Dover.

So as much as I’d like to wax on about the impact this little book made on me, I feel the best approach is to show my favorite pages and remind you that it's all hand-drawn. I hope you enjoy the craftsmanship and simple design wisdom that comes through in the text.

If you can fill in any details of Welo’s life, please post in the Comments section.

Go to page 2 for many more samples of Welo's artistry.

1

For more about Welo, and hand lettering in general

I'd suggest that you ask the folks who frequent the Type ID Board athttp://typophile.com/resources.

Nice work!

2

multicolor lines

Off topic, but I'm curious about the technique Lewis Scott uses to make multicolored line drawings. It looks very old fashioned. How was this kind of thing originally produced? Here is his website: http://www.lewisscott.com/. And he has an illustration in the NY Times Sunday Aug 24 Week in Review section: http://www.nytimes.com/2008/08/24/weekinreview/24kershaw.html?em

3

Copper or Zinc Plates Most Likely

It's pretty clear from some of the pages that they were reduced photographically, so I suspect the printer simply made metal plates (usually copper or zinc) from film negatives, much as they would have for a halftone or illustration. This process was typically called "engraving" or even "etching," though it was a chemical process using acid, not done by hand.

4

Wow, just wow.

I was absolutely blown away by this set of scans.

I was wondering, though, how did the printer get this man's drawings from paper to the press? I don't recall the exact time when lithography (as we know it) came into general use, but I would have to imagine that there must have been some kind of photo etching (or engraving). Obviously this couldn't be a letterpress process...

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